от: RUIvan
Цветочки офигенны)
ага, гуашь
Leica M
Всего 48724 сообщ.
|
Показаны 18561 - 18580
Re[RUIvan]:
ага, гуашь
Re[Шуруп]:
Саш,офигительные карточки!!! 
Re[Шуруп]:
уд
Re[Шуруп]:
от:ШурупПодробнее
Саш, тоже мог бы написать типа "стеночки офигенны", но не напишу. Ибо маджента опять прет сверх меры.
В цветочках, кстати, тоже "не але" - лишняя синька. Ты уж определись, что льешь от души , что ли..,
Re[Sanych]:
да с последней согласен. поправил
Re[Шуруп]:
вспе, всем спасибо уплыл спать
Re[Шуруп]:
M9+50 1,4
Re[Шуруп]:
Re[Vladpr]:
от:Vladpr
M9+50 1,4Подробнее
Re[G o r d o n]:
от: G o r d o n
Поддерживаю :D
Re[Шуруп]:
Поздняя осень...
Re[Шуруп]:
Re[Vladpr]:
от:Vladpr
M9+50 1,4Подробнее
Класс
Re[Шуруп]:
переделал с использованием цифр
Re[Vladpr]:
от:Vladpr
M9+50 1,4Подробнее
О, да! Было, было.
И чего я вчера не взял Лейку в руках подержать? Целый вечер об этом жалел. :D
Re[Vladpr]:
...
Re[G o r d o n]:,victorvancouver ,Kulikov Andrei
Спасибо ребята! Повезло мне со старушкой.
Re[miric]:
Еще 2 дня у тебя есть, пока я в Киеве. :D
Re[]:
Насчет Цейса соннара кто-ту тут интересовался. Вот что говорит Цейс:
"C-Sonnar T* 1,5/50 ZM
Information about special features for dealers and users
The C-SONNAR T* 1.5/50 ZM is a very special lens; based on a classical lens design concept from the 1930´s. The additional letter “C” in the name of the lens expresses this designation.
This lens design helps to achieve pictures with a special artistic touch. This lens ‘draws’ your subject in a fine, flattering manner and is therefore ideally suited for portraiture. It renders a sharpness that is slightly rounded, being less aggressive than in contemporary lens designs, but at the same time not soft in its rendition.
Many famous portraits of glamorous and prominent people during the 1930´s used this technique to great effect. These images are characterized by portraying the person in a shining, nearly celestial way. This effect is very well balanced and not exaggerated; therefore many viewers see it in a subconscious way. The trained observer, however, understands the underlining technique and enjoys the results.
This lens design exhibits some additional effects, which should be understood to achieve the maximum benefit from the C-Sonnar T* 1.5/50 ZM:
Because of the above mentioned classical characteristic of the lens the best focus position in the object space can not be kept exactly constant for all f-stop settings.
The passionate photographer might notice a slightly closer best focus in his pictures than expected. When stopping down the lens to f/2.8 or smaller this effect is minimized, so the focus position will be as expected.
In order to balance the performance at full speed and other f-stop settings the lens is adjusted with above described characteristic.
The special features of the C-SONNAR T* 1.5/50 ZM are best used in emotional, artistic, narrative images, portraits or atmospheric landscapes. For documentation or technical subjects CARL ZEISS recommends to stop down the lens at least to f/5.6 or to use the PLANAR T* 2/50 ZM lens."
взято отсюда http://www.luminous-landscape.com/reviews/lenses/zeiss-m-mount.shtml
"C-Sonnar T* 1,5/50 ZM
Information about special features for dealers and users
The C-SONNAR T* 1.5/50 ZM is a very special lens; based on a classical lens design concept from the 1930´s. The additional letter “C” in the name of the lens expresses this designation.
This lens design helps to achieve pictures with a special artistic touch. This lens ‘draws’ your subject in a fine, flattering manner and is therefore ideally suited for portraiture. It renders a sharpness that is slightly rounded, being less aggressive than in contemporary lens designs, but at the same time not soft in its rendition.
Many famous portraits of glamorous and prominent people during the 1930´s used this technique to great effect. These images are characterized by portraying the person in a shining, nearly celestial way. This effect is very well balanced and not exaggerated; therefore many viewers see it in a subconscious way. The trained observer, however, understands the underlining technique and enjoys the results.
This lens design exhibits some additional effects, which should be understood to achieve the maximum benefit from the C-Sonnar T* 1.5/50 ZM:
Because of the above mentioned classical characteristic of the lens the best focus position in the object space can not be kept exactly constant for all f-stop settings.
The passionate photographer might notice a slightly closer best focus in his pictures than expected. When stopping down the lens to f/2.8 or smaller this effect is minimized, so the focus position will be as expected.
In order to balance the performance at full speed and other f-stop settings the lens is adjusted with above described characteristic.
The special features of the C-SONNAR T* 1.5/50 ZM are best used in emotional, artistic, narrative images, portraits or atmospheric landscapes. For documentation or technical subjects CARL ZEISS recommends to stop down the lens at least to f/5.6 or to use the PLANAR T* 2/50 ZM lens."
взято отсюда http://www.luminous-landscape.com/reviews/lenses/zeiss-m-mount.shtml
Re[OlAf]:
и че он там наговорил, впрягаться в текст лениво
