Получила приглашение и очень жду субботы ...

Пусть не по заслугам, а по везению, но рада ужасно, до того, что не могу утерпеть и рассказать, ведь есть тут фотографы!

Вот оно:

>From: "XYZ" <xyz@magnumphotos.com>
>To: phyllida.x@gmail.com>
>Subject: Special Invitation for MAGNUM @ 60 at LIVE from the NYPL Saturday,
>June 16, 2007 7PM
>Date: Fri, 8 Jun 2007 17:20:59 -0400
>
>As a special guest, you are invited to MAGNUM @ 60 on Saturday, June 16,
>2007 at 7:00 PM in the Celeste Bartos Forum of The New York Public Library
>at 5th Avenue and 42nd Street (for program details, see below).
>
>Kindly RSVP to Meg Stemmler by Thursday, June 14th to
>let us know if we will have the pleasure of your company at the event.
>
>Upon receiving your RSVP, Meg will send you a confirmation e-mail including
>arrival and ticket details.
>
>Warm regards,
>
>Paul Holdengr&#228;ber, Director
>LIVE from the NYPL
>The New York Public Library
>Fifth Avenue & 42nd Street
>New York, N.Y. 10018-2788
>www.nypl.org/live
>
>
>LIVE from the NYPL
>
>PRESENTS:
>
>MAGNUM @ 60
>Saturday, June 16, 2007 at 7:00 PM in the Celeste Bartos Forum of The New
>York Public Library at 5th Avenue and 42nd Street
>
>http://www.nypl.org/research/chss/pep/pepdesc.cfm?id=2902
>
>In celebration of the 60th anniversary of Magnum Photos, Live from the NYPL
>and Magnum Festival '07 bring together a night of conversation with Philip
>Jones Griffiths, Keith Beauchamp, Susan Meiselas, Gilles Peress, and Larry
>Towell.
>
>With the advent of technologies that promote the proliferation of media
>content, the sheer number of images available has thrown the nature of
>photojournalism, and even the power of photography itself, into a new
>light.
>In addition, the boundaries of what constitutes “truth” and “veracity” are
>constantly being blurred. In light of the increasing diffusion of the
>media,
>along with the rise of media conglomerates, it is pertinent to question the
>responsibility of today’s media as well as to discern with whom that
>responsibility lies.
>
>* Now that Internet blogs such as YouTube have emerged as a leading
>form of news transmission and a large population of the world owns digital
>cameras, how does this democracy change the role of the journalist?
>* What role does the “citizen journalist” play?
>* Does this undermine traditional journalism or empower it?
>* Does traditional journalism have a place in the future?
>* Will digital journalism ever be accepted as a major documentary/art
>form?
>* What happens to the idea of responsibility in the world of easy,
>quick and cheap photo-making?
>* Do photographers still have a responsibility to their subjects? To
>their audience? And how are they held accountable?
>* How will the Magnum ethos be affected by this brave new world of
>image making?
>
>
>
>About MAGNUM
>
>In 1947, four young photographers—Henri Cartier-Bresson, Robert Capa, David
>Seymour, George Rodger—founded Magnum Photos two years after witnessing the
>atrocities committed against humanity during World War II. In forming a
>co-operative, these men were bound by a common goal of telling the world’s
>stories with uncompromising responsibility to authorship. They sought to
>break free of editorial constraints and challenged the prevailing idea that
>a magazine or newspaper could “own their images.” Thus, the Magnum ethos,
>which still guides the agency and its photographers, sought editorial
>freedom and ownership of copyrights.
>
>This event is co-presented by Magnum Festival '07
>
>About Keith Beauchamp
>
>Keith Beauchamp has devoted the past eleven years pursuing justice for
>Emmett Till. On May 10th, 2004, the U.S. Department of Justice re-opened
>the
>nearly half-century old murder case citing Beauchamp’s documentary The
>Untold Story of Emmett Louis Till as both a major factor in their decision
>and the starting point for their investigation. Beauchamp has been featured
>on “60 Minutes”, ABC World News Tonight “Person of the Week,” Court TV,
>MSNBC, CNN, BBC as well as the New York Times, Washington Post, USA Today,
>and The Chicago Tribune. Beauchamp is producing a feature film with
>Frederick Zollo (Mississippi Burning) based on his eleven year journey in
>connection with the Emmett Till case.
>
>About Philip Jones Griffiths
>
>Philip Jones Griffiths became a member of Magnum in 1971. Born in Wales,
>Griffiths began photographing for the Manchester Guardian and the
>London-based Observer. He covered the Algerian War, Central Africa and
>Asia,
>photographing in Vietnam from 1966 to 1968. His book, Vietnam Inc., is one
>of the most detailed surveys of any conflict with commentaries which are
>both matter-of-fact and darkly ironic. In 1980, Griffiths assumed the
>presidency of Magnum, a post which he held for five years. Griffiths'
>photographs have appeared in most of the world's major magazines and his
>assignments have taken him to over 120 countries. He continues to work for
>Life and G&#233;o on stories such as Buddhism in Cambodia, droughts in India,
>poverty in Texas, the re-greening of Vietnam, and the legacy of the first
>Gulf war in Kuwait.
>
>About Susan Meiselas
>
>Susan Meiselas became a member of Magnum in 1980. She is best known for her
>coverage of the insurrection in Nicaragua and for her documentation of
>human
>rights issues in Latin America, which were published widely throughout the
>world. Meiselas has had solo exhibitions in Paris, Madrid, Amsterdam,
>London, Los Angeles, Chicago and New York and her work is included in major
>American and international collections. She has received awards including
>the Robert Capa Gold Medal for “outstanding courage and reporting” for her
>work in Nicaragua; the Maria Moors Cabot Prize from Columbia University for
>her coverage of Latin America; and, in 2005, the Cornell Capa Infinity
>Award. In 1992, she was named a MacArthur Fellow.
>
>About Gilles Peress
>
>Gilles Peress joined Magnum in 1972 and remains a contributer. In 1970,
>Peress took his first trip to Northern Ireland and began an ongoing project
>about the Irish civil rights struggle. Power in the Blood, a book that
>synthesizes his two decades of work in Northern Ireland, is part of a
>larger
>ongoing project called Hate Thy Brother. Farewell to Bosnia was the first
>part of this cycle, and The Silence, about the Rwandan genocide, was the
>second. Peress’ photographs have been published in The Sunday Times, Du,
>Afterimage, American Photographer, Aperture, Creative Camera, The New York
>Times Magazine, and Photo. He has been the recipient of the National
>Endowment for the Arts Fellowship, the Ernst Haas Award, the Fondation
>Nationale pour la Photographie and the Imogen Cunningham Award, and the
>Overseas Press Club Award. His work has been included in numerous group and
>solo exhibitions in the United States and abroad.
>
>About Larry Towell
>
>Larry Towell became a member of Magnum in 1993. A fascination with
>landlessness led him to the Mennonite migrant workers of Mexico, an
>eleven-year project completed in 2000. He has pursued similar, lengthy
>long-term reportage work in El Salvador, and Palestine. Towell’s awards are
>numerous, and with the help of the inaugural Henri Cartier-Bresson Award,
>he
>finished a second highly acclaimed book on the Palestinian-Israeli conflict
>in 2005, No Man's Land. Other books include The Mennonites, El Salvador,
>and
>In the Wake of Katrina. He has been published in major international
>magazines including The New York Times, Life, Stern, Geo, Elle, Esquire,
>Rolling Stone, Lib&#233;ration, and The Sunday Times.
>

Что это? вы бы перевод чтоли сделали

Цитата:

от:Просто Филя
Пусть не по заслугам, а по везению, но рада ужасно, до того, что не могу утерпеть и рассказать, ведь есть тут фотографы!

Вот оно:

>From: "XYZ" <xyz@magnumphotos.com>
>To: phyllida.x@gmail.com>
>Subject: Special Invitation for MAGNUM @ 60 at LIVE from the NYPL Saturday,
>June 16, 2007 7PM
>Date: Fri, 8 Jun 2007 17:20:59 -0400
>
>As a special guest, you are invited to MAGNUM @ 60 on Saturday, June 16,
>2007 at 7:00 PM in the Celeste Bartos Forum of The New York Public Library
>at 5th Avenue and 42nd Street (for program details, see below).
>
>Kindly RSVP to Meg Stemmler by Thursday, June 14th to
>let us know if we will have the pleasure of your company at the event.
>
>Upon receiving your RSVP, Meg will send you a confirmation e-mail including
>arrival and ticket details.
>
>Warm regards,
>
>Paul Holdengr&#228;ber, Director
>LIVE from the NYPL
>The New York Public Library
>Fifth Avenue & 42nd Street
>New York, N.Y. 10018-2788
>www.nypl.org/live
>
>
>LIVE from the NYPL
>
>PRESENTS:
>
>MAGNUM @ 60
>Saturday, June 16, 2007 at 7:00 PM in the Celeste Bartos Forum of The New
>York Public Library at 5th Avenue and 42nd Street
>
>http://www.nypl.org/research/chss/pep/pepdesc.cfm?id=2902
>
>In celebration of the 60th anniversary of Magnum Photos, Live from the NYPL
>and Magnum Festival '07 bring together a night of conversation with Philip
>Jones Griffiths, Keith Beauchamp, Susan Meiselas, Gilles Peress, and Larry
>Towell.
>
>With the advent of technologies that promote the proliferation of media
>content, the sheer number of images available has thrown the nature of
>photojournalism, and even the power of photography itself, into a new
>light.
>In addition, the boundaries of what constitutes “truth” and “veracity” are
>constantly being blurred. In light of the increasing diffusion of the
>media,
>along with the rise of media conglomerates, it is pertinent to question the
>responsibility of today’s media as well as to discern with whom that
>responsibility lies.
>
>* Now that Internet blogs such as YouTube have emerged as a leading
>form of news transmission and a large population of the world owns digital
>cameras, how does this democracy change the role of the journalist?
>* What role does the “citizen journalist” play?
>* Does this undermine traditional journalism or empower it?
>* Does traditional journalism have a place in the future?
>* Will digital journalism ever be accepted as a major documentary/art
>form?
>* What happens to the idea of responsibility in the world of easy,
>quick and cheap photo-making?
>* Do photographers still have a responsibility to their subjects? To
>their audience? And how are they held accountable?
>* How will the Magnum ethos be affected by this brave new world of
>image making?
>
>
>
>About MAGNUM
>
>In 1947, four young photographers—Henri Cartier-Bresson, Robert Capa, David
>Seymour, George Rodger—founded Magnum Photos two years after witnessing the
>atrocities committed against humanity during World War II. In forming a
>co-operative, these men were bound by a common goal of telling the world’s
>stories with uncompromising responsibility to authorship. They sought to
>break free of editorial constraints and challenged the prevailing idea that
>a magazine or newspaper could “own their images.” Thus, the Magnum ethos,
>which still guides the agency and its photographers, sought editorial
>freedom and ownership of copyrights.
>
>This event is co-presented by Magnum Festival '07
>
>About Keith Beauchamp
>
>Keith Beauchamp has devoted the past eleven years pursuing justice for
>Emmett Till. On May 10th, 2004, the U.S. Department of Justice re-opened
>the
>nearly half-century old murder case citing Beauchamp’s documentary The
>Untold Story of Emmett Louis Till as both a major factor in their decision
>and the starting point for their investigation. Beauchamp has been featured
>on “60 Minutes”, ABC World News Tonight “Person of the Week,” Court TV,
>MSNBC, CNN, BBC as well as the New York Times, Washington Post, USA Today,
>and The Chicago Tribune. Beauchamp is producing a feature film with
>Frederick Zollo (Mississippi Burning) based on his eleven year journey in
>connection with the Emmett Till case.
>
>About Philip Jones Griffiths
>
>Philip Jones Griffiths became a member of Magnum in 1971. Born in Wales,
>Griffiths began photographing for the Manchester Guardian and the
>London-based Observer. He covered the Algerian War, Central Africa and
>Asia,
>photographing in Vietnam from 1966 to 1968. His book, Vietnam Inc., is one
>of the most detailed surveys of any conflict with commentaries which are
>both matter-of-fact and darkly ironic. In 1980, Griffiths assumed the
>presidency of Magnum, a post which he held for five years. Griffiths'
>photographs have appeared in most of the world's major magazines and his
>assignments have taken him to over 120 countries. He continues to work for
>Life and G&#233;o on stories such as Buddhism in Cambodia, droughts in India,
>poverty in Texas, the re-greening of Vietnam, and the legacy of the first
>Gulf war in Kuwait.
>
>About Susan Meiselas
>
>Susan Meiselas became a member of Magnum in 1980. She is best known for her
>coverage of the insurrection in Nicaragua and for her documentation of
>human
>rights issues in Latin America, which were published widely throughout the
>world. Meiselas has had solo exhibitions in Paris, Madrid, Amsterdam,
>London, Los Angeles, Chicago and New York and her work is included in major
>American and international collections. She has received awards including
>the Robert Capa Gold Medal for “outstanding courage and reporting” for her
>work in Nicaragua; the Maria Moors Cabot Prize from Columbia University for
>her coverage of Latin America; and, in 2005, the Cornell Capa Infinity
>Award. In 1992, she was named a MacArthur Fellow.
>
>About Gilles Peress
>
>Gilles Peress joined Magnum in 1972 and remains a contributer. In 1970,
>Peress took his first trip to Northern Ireland and began an ongoing project
>about the Irish civil rights struggle. Power in the Blood, a book that
>synthesizes his two decades of work in Northern Ireland, is part of a
>larger
>ongoing project called Hate Thy Brother. Farewell to Bosnia was the first
>part of this cycle, and The Silence, about the Rwandan genocide, was the
>second. Peress’ photographs have been published in The Sunday Times, Du,
>Afterimage, American Photographer, Aperture, Creative Camera, The New York
>Times Magazine, and Photo. He has been the recipient of the National
>Endowment for the Arts Fellowship, the Ernst Haas Award, the Fondation
>Nationale pour la Photographie and the Imogen Cunningham Award, and the
>Overseas Press Club Award. His work has been included in numerous group and
>solo exhibitions in the United States and abroad.
>
>About Larry Towell
>
>Larry Towell became a member of Magnum in 1993. A fascination with
>landlessness led him to the Mennonite migrant workers of Mexico, an
>eleven-year project completed in 2000. He has pursued similar, lengthy
>long-term reportage work in El Salvador, and Palestine. Towell’s awards are
>numerous, and with the help of the inaugural Henri Cartier-Bresson Award,
>he
>finished a second highly acclaimed book on the Palestinian-Israeli conflict
>in 2005, No Man's Land. Other books include The Mennonites, El Salvador,
>and
>In the Wake of Katrina. He has been published in major international
>magazines including The New York Times, Life, Stern, Geo, Elle, Esquire,
>Rolling Stone, Lib&#233;ration, and The Sunday Times.
>

Подробнее

Переведите...

Цитата:

от:Просто Филя
Пусть не по заслугам, а по везению, но рада ужасно, до того, что не могу утерпеть и рассказать, ведь есть тут фотографы!

Вот оно:

>From: "XYZ" <xyz@magnumphotos.com>
>To: phyllida.x@gmail.com>
>Subject: Special Invitation for MAGNUM @ 60 at LIVE from the NYPL Saturday,
>June 16, 2007 7PM
>Date: Fri, 8 Jun 2007 17:20:59 -0400
>
>As a special guest, you are invited to MAGNUM @ 60 on Saturday, June 16,
>2007 at 7:00 PM in the Celeste Bartos Forum of The New York Public Library
>at 5th Avenue and 42nd Street (for program details, see below).
>
>Kindly RSVP to Meg Stemmler by Thursday, June 14th to
>let us know if we will have the pleasure of your company at the event.
>
>Upon receiving your RSVP, Meg will send you a confirmation e-mail including
>arrival and ticket details.
>
>Warm regards,
>
>Paul Holdengr&#228;ber, Director
>LIVE from the NYPL
>The New York Public Library
>Fifth Avenue & 42nd Street
>New York, N.Y. 10018-2788
>www.nypl.org/live
>
>
>LIVE from the NYPL
>
>PRESENTS:
>
>MAGNUM @ 60
>Saturday, June 16, 2007 at 7:00 PM in the Celeste Bartos Forum of The New
>York Public Library at 5th Avenue and 42nd Street
>
>http://www.nypl.org/research/chss/pep/pepdesc.cfm?id=2902
>
>In celebration of the 60th anniversary of Magnum Photos, Live from the NYPL
>and Magnum Festival '07 bring together a night of conversation with Philip
>Jones Griffiths, Keith Beauchamp, Susan Meiselas, Gilles Peress, and Larry
>Towell.
>
>With the advent of technologies that promote the proliferation of media
>content, the sheer number of images available has thrown the nature of
>photojournalism, and even the power of photography itself, into a new
>light.
>In addition, the boundaries of what constitutes “truth” and “veracity” are
>constantly being blurred. In light of the increasing diffusion of the
>media,
>along with the rise of media conglomerates, it is pertinent to question the
>responsibility of today’s media as well as to discern with whom that
>responsibility lies.
>
>* Now that Internet blogs such as YouTube have emerged as a leading
>form of news transmission and a large population of the world owns digital
>cameras, how does this democracy change the role of the journalist?
>* What role does the “citizen journalist” play?
>* Does this undermine traditional journalism or empower it?
>* Does traditional journalism have a place in the future?
>* Will digital journalism ever be accepted as a major documentary/art
>form?
>* What happens to the idea of responsibility in the world of easy,
>quick and cheap photo-making?
>* Do photographers still have a responsibility to their subjects? To
>their audience? And how are they held accountable?
>* How will the Magnum ethos be affected by this brave new world of
>image making?
>
>
>
>About MAGNUM
>
>In 1947, four young photographers—Henri Cartier-Bresson, Robert Capa, David
>Seymour, George Rodger—founded Magnum Photos two years after witnessing the
>atrocities committed against humanity during World War II. In forming a
>co-operative, these men were bound by a common goal of telling the world’s
>stories with uncompromising responsibility to authorship. They sought to
>break free of editorial constraints and challenged the prevailing idea that
>a magazine or newspaper could “own their images.” Thus, the Magnum ethos,
>which still guides the agency and its photographers, sought editorial
>freedom and ownership of copyrights.
>
>This event is co-presented by Magnum Festival '07
>
>About Keith Beauchamp
>
>Keith Beauchamp has devoted the past eleven years pursuing justice for
>Emmett Till. On May 10th, 2004, the U.S. Department of Justice re-opened
>the
>nearly half-century old murder case citing Beauchamp’s documentary The
>Untold Story of Emmett Louis Till as both a major factor in their decision
>and the starting point for their investigation. Beauchamp has been featured
>on “60 Minutes”, ABC World News Tonight “Person of the Week,” Court TV,
>MSNBC, CNN, BBC as well as the New York Times, Washington Post, USA Today,
>and The Chicago Tribune. Beauchamp is producing a feature film with
>Frederick Zollo (Mississippi Burning) based on his eleven year journey in
>connection with the Emmett Till case.
>
>About Philip Jones Griffiths
>
>Philip Jones Griffiths became a member of Magnum in 1971. Born in Wales,
>Griffiths began photographing for the Manchester Guardian and the
>London-based Observer. He covered the Algerian War, Central Africa and
>Asia,
>photographing in Vietnam from 1966 to 1968. His book, Vietnam Inc., is one
>of the most detailed surveys of any conflict with commentaries which are
>both matter-of-fact and darkly ironic. In 1980, Griffiths assumed the
>presidency of Magnum, a post which he held for five years. Griffiths'
>photographs have appeared in most of the world's major magazines and his
>assignments have taken him to over 120 countries. He continues to work for
>Life and G&#233;o on stories such as Buddhism in Cambodia, droughts in India,
>poverty in Texas, the re-greening of Vietnam, and the legacy of the first
>Gulf war in Kuwait.
>
>About Susan Meiselas
>
>Susan Meiselas became a member of Magnum in 1980. She is best known for her
>coverage of the insurrection in Nicaragua and for her documentation of
>human
>rights issues in Latin America, which were published widely throughout the
>world. Meiselas has had solo exhibitions in Paris, Madrid, Amsterdam,
>London, Los Angeles, Chicago and New York and her work is included in major
>American and international collections. She has received awards including
>the Robert Capa Gold Medal for “outstanding courage and reporting” for her
>work in Nicaragua; the Maria Moors Cabot Prize from Columbia University for
>her coverage of Latin America; and, in 2005, the Cornell Capa Infinity
>Award. In 1992, she was named a MacArthur Fellow.
>
>About Gilles Peress
>
>Gilles Peress joined Magnum in 1972 and remains a contributer. In 1970,
>Peress took his first trip to Northern Ireland and began an ongoing project
>about the Irish civil rights struggle. Power in the Blood, a book that
>synthesizes his two decades of work in Northern Ireland, is part of a
>larger
>ongoing project called Hate Thy Brother. Farewell to Bosnia was the first
>part of this cycle, and The Silence, about the Rwandan genocide, was the
>second. Peress’ photographs have been published in The Sunday Times, Du,
>Afterimage, American Photographer, Aperture, Creative Camera, The New York
>Times Magazine, and Photo. He has been the recipient of the National
>Endowment for the Arts Fellowship, the Ernst Haas Award, the Fondation
>Nationale pour la Photographie and the Imogen Cunningham Award, and the
>Overseas Press Club Award. His work has been included in numerous group and
>solo exhibitions in the United States and abroad.
>
>About Larry Towell
>
>Larry Towell became a member of Magnum in 1993. A fascination with
>landlessness led him to the Mennonite migrant workers of Mexico, an
>eleven-year project completed in 2000. He has pursued similar, lengthy
>long-term reportage work in El Salvador, and Palestine. Towell’s awards are
>numerous, and with the help of the inaugural Henri Cartier-Bresson Award,
>he
>finished a second highly acclaimed book on the Palestinian-Israeli conflict
>in 2005, No Man's Land. Other books include The Mennonites, El Salvador,
>and
>In the Wake of Katrina. He has been published in major international
>magazines including The New York Times, Life, Stern, Geo, Elle, Esquire,
>Rolling Stone, Lib&#233;ration, and The Sunday Times.
>

Подробнее

Потому что без перевода:

Цитата:

от:Просто Филя
Пусть не по заслугам, а по везению, но рада ужасно, до того, что не могу утерпеть и рассказать, ведь есть тут фотографы!

Вот оно:

>From: "XYZ" <xyz@magnumphotos.com>
>To: phyllida.x@gmail.com>
>Subject: Special Invitation for MAGNUM @ 60 at LIVE from the NYPL Saturday,
>June 16, 2007 7PM
>Date: Fri, 8 Jun 2007 17:20:59 -0400
>
>As a special guest, you are invited to MAGNUM @ 60 on Saturday, June 16,
>2007 at 7:00 PM in the Celeste Bartos Forum of The New York Public Library
>at 5th Avenue and 42nd Street (for program details, see below).
>
>Kindly RSVP to Meg Stemmler by Thursday, June 14th to
>let us know if we will have the pleasure of your company at the event.
>
>Upon receiving your RSVP, Meg will send you a confirmation e-mail including
>arrival and ticket details.
>
>Warm regards,
>
>Paul Holdengr&#228;ber, Director
>LIVE from the NYPL
>The New York Public Library
>Fifth Avenue & 42nd Street
>New York, N.Y. 10018-2788
>www.nypl.org/live
>
>
>LIVE from the NYPL
>
>PRESENTS:
>
>MAGNUM @ 60
>Saturday, June 16, 2007 at 7:00 PM in the Celeste Bartos Forum of The New
>York Public Library at 5th Avenue and 42nd Street
>
>http://www.nypl.org/research/chss/pep/pepdesc.cfm?id=2902
>
>In celebration of the 60th anniversary of Magnum Photos, Live from the NYPL
>and Magnum Festival '07 bring together a night of conversation with Philip
>Jones Griffiths, Keith Beauchamp, Susan Meiselas, Gilles Peress, and Larry
>Towell.
>
>With the advent of technologies that promote the proliferation of media
>content, the sheer number of images available has thrown the nature of
>photojournalism, and even the power of photography itself, into a new
>light.
>In addition, the boundaries of what constitutes “truth” and “veracity” are
>constantly being blurred. In light of the increasing diffusion of the
>media,
>along with the rise of media conglomerates, it is pertinent to question the
>responsibility of today’s media as well as to discern with whom that
>responsibility lies.
>
>* Now that Internet blogs such as YouTube have emerged as a leading
>form of news transmission and a large population of the world owns digital
>cameras, how does this democracy change the role of the journalist?
>* What role does the “citizen journalist” play?
>* Does this undermine traditional journalism or empower it?
>* Does traditional journalism have a place in the future?
>* Will digital journalism ever be accepted as a major documentary/art
>form?
>* What happens to the idea of responsibility in the world of easy,
>quick and cheap photo-making?
>* Do photographers still have a responsibility to their subjects? To
>their audience? And how are they held accountable?
>* How will the Magnum ethos be affected by this brave new world of
>image making?
>
>
>
>About MAGNUM
>
>In 1947, four young photographers—Henri Cartier-Bresson, Robert Capa, David
>Seymour, George Rodger—founded Magnum Photos two years after witnessing the
>atrocities committed against humanity during World War II. In forming a
>co-operative, these men were bound by a common goal of telling the world’s
>stories with uncompromising responsibility to authorship. They sought to
>break free of editorial constraints and challenged the prevailing idea that
>a magazine or newspaper could “own their images.” Thus, the Magnum ethos,
>which still guides the agency and its photographers, sought editorial
>freedom and ownership of copyrights.
>
>This event is co-presented by Magnum Festival '07
>
>About Keith Beauchamp
>
>Keith Beauchamp has devoted the past eleven years pursuing justice for
>Emmett Till. On May 10th, 2004, the U.S. Department of Justice re-opened
>the
>nearly half-century old murder case citing Beauchamp’s documentary The
>Untold Story of Emmett Louis Till as both a major factor in their decision
>and the starting point for their investigation. Beauchamp has been featured
>on “60 Minutes”, ABC World News Tonight “Person of the Week,” Court TV,
>MSNBC, CNN, BBC as well as the New York Times, Washington Post, USA Today,
>and The Chicago Tribune. Beauchamp is producing a feature film with
>Frederick Zollo (Mississippi Burning) based on his eleven year journey in
>connection with the Emmett Till case.
>
>About Philip Jones Griffiths
>
>Philip Jones Griffiths became a member of Magnum in 1971. Born in Wales,
>Griffiths began photographing for the Manchester Guardian and the
>London-based Observer. He covered the Algerian War, Central Africa and
>Asia,
>photographing in Vietnam from 1966 to 1968. His book, Vietnam Inc., is one
>of the most detailed surveys of any conflict with commentaries which are
>both matter-of-fact and darkly ironic. In 1980, Griffiths assumed the
>presidency of Magnum, a post which he held for five years. Griffiths'
>photographs have appeared in most of the world's major magazines and his
>assignments have taken him to over 120 countries. He continues to work for
>Life and G&#233;o on stories such as Buddhism in Cambodia, droughts in India,
>poverty in Texas, the re-greening of Vietnam, and the legacy of the first
>Gulf war in Kuwait.
>
>About Susan Meiselas
>
>Susan Meiselas became a member of Magnum in 1980. She is best known for her
>coverage of the insurrection in Nicaragua and for her documentation of
>human
>rights issues in Latin America, which were published widely throughout the
>world. Meiselas has had solo exhibitions in Paris, Madrid, Amsterdam,
>London, Los Angeles, Chicago and New York and her work is included in major
>American and international collections. She has received awards including
>the Robert Capa Gold Medal for “outstanding courage and reporting” for her
>work in Nicaragua; the Maria Moors Cabot Prize from Columbia University for
>her coverage of Latin America; and, in 2005, the Cornell Capa Infinity
>Award. In 1992, she was named a MacArthur Fellow.
>
>About Gilles Peress
>
>Gilles Peress joined Magnum in 1972 and remains a contributer. In 1970,
>Peress took his first trip to Northern Ireland and began an ongoing project
>about the Irish civil rights struggle. Power in the Blood, a book that
>synthesizes his two decades of work in Northern Ireland, is part of a
>larger
>ongoing project called Hate Thy Brother. Farewell to Bosnia was the first
>part of this cycle, and The Silence, about the Rwandan genocide, was the
>second. Peress’ photographs have been published in The Sunday Times, Du,
>Afterimage, American Photographer, Aperture, Creative Camera, The New York
>Times Magazine, and Photo. He has been the recipient of the National
>Endowment for the Arts Fellowship, the Ernst Haas Award, the Fondation
>Nationale pour la Photographie and the Imogen Cunningham Award, and the
>Overseas Press Club Award. His work has been included in numerous group and
>solo exhibitions in the United States and abroad.
>
>About Larry Towell
>
>Larry Towell became a member of Magnum in 1993. A fascination with
>landlessness led him to the Mennonite migrant workers of Mexico, an
>eleven-year project completed in 2000. He has pursued similar, lengthy
>long-term reportage work in El Salvador, and Palestine. Towell’s awards are
>numerous, and with the help of the inaugural Henri Cartier-Bresson Award,
>he
>finished a second highly acclaimed book on the Palestinian-Israeli conflict
>in 2005, No Man's Land. Other books include The Mennonites, El Salvador,
>and
>In the Wake of Katrina. He has been published in major international
>magazines including The New York Times, Life, Stern, Geo, Elle, Esquire,
>Rolling Stone, Lib&#233;ration, and The Sunday Times.
>

Подробнее

И тогда:

Даю перевод: Барбанбия кергуду! ;)

Это был Простофилин хитрый ход. Она запостив это надеется, что кто то возьмет всё и переведёт.

это та девочка с эстонским другом, которую тут нехорошим словам учили?

Повезло, поздравляю!
Ну как, сходили?
Дата уже наступила и прошла...
Хотя... Вам по профилю 13 лет, по "речам" около 30, водя за нос "в малом", не будет доверия и "в большом"...
удачи...

Цитата:

от: Вадим_М
Повезло, поздравляю!
Ну как, сходили?
Дата уже наступила и прошла...

Дождалась, похоже...

Сходила?

Цитата:

от: Megagoose
Сходила?

Там оказалось детям до 16 вход воспрещен.

Это безобразие

Цитата:

от:Просто Филя
Пусть не по заслугам, а по везению, но рада ужасно, до того, что не могу утерпеть и рассказать, ведь есть тут фотографы!

Вот оно:

>From: "XYZ" <xyz@magnumphotos.com>
>To: phyllida.x@gmail.com>
>Subject: Special Invitation for MAGNUM @ 60 at LIVE from the NYPL Saturday,
>June 16, 2007 7PM
>Date: Fri, 8 Jun 2007 17:20:59 -0400
>
>As a special guest, you are invited to MAGNUM @ 60 on Saturday, June 16,
>2007 at 7:00 PM in the Celeste Bartos Forum of The New York Public Library
>at 5th Avenue and 42nd Street (for program details, see below).
>
>Kindly RSVP to Meg Stemmler by Thursday, June 14th to
>let us know if we will have the pleasure of your company at the event.
>
>Upon receiving your RSVP, Meg will send you a confirmation e-mail including
>arrival and ticket details.
>
>Warm regards,
>
>Paul Holdengr&#228;ber, Director
>LIVE from the NYPL
>The New York Public Library
>Fifth Avenue & 42nd Street
>New York, N.Y. 10018-2788
>www.nypl.org/live
>
>
>LIVE from the NYPL
>
>PRESENTS:
>
>MAGNUM @ 60
>Saturday, June 16, 2007 at 7:00 PM in the Celeste Bartos Forum of The New
>York Public Library at 5th Avenue and 42nd Street
>
>http://www.nypl.org/research/chss/pep/pepdesc.cfm?id=2902
>
>In celebration of the 60th anniversary of Magnum Photos, Live from the NYPL
>and Magnum Festival '07 bring together a night of conversation with Philip
>Jones Griffiths, Keith Beauchamp, Susan Meiselas, Gilles Peress, and Larry
>Towell.
>
>With the advent of technologies that promote the proliferation of media
>content, the sheer number of images available has thrown the nature of
>photojournalism, and even the power of photography itself, into a new
>light.
>In addition, the boundaries of what constitutes “truth” and “veracity” are
>constantly being blurred. In light of the increasing diffusion of the
>media,
>along with the rise of media conglomerates, it is pertinent to question the
>responsibility of today’s media as well as to discern with whom that
>responsibility lies.
>
>* Now that Internet blogs such as YouTube have emerged as a leading
>form of news transmission and a large population of the world owns digital
>cameras, how does this democracy change the role of the journalist?
>* What role does the “citizen journalist” play?
>* Does this undermine traditional journalism or empower it?
>* Does traditional journalism have a place in the future?
>* Will digital journalism ever be accepted as a major documentary/art
>form?
>* What happens to the idea of responsibility in the world of easy,
>quick and cheap photo-making?
>* Do photographers still have a responsibility to their subjects? To
>their audience? And how are they held accountable?
>* How will the Magnum ethos be affected by this brave new world of
>image making?
>
>
>
>About MAGNUM
>
>In 1947, four young photographers—Henri Cartier-Bresson, Robert Capa, David
>Seymour, George Rodger—founded Magnum Photos two years after witnessing the
>atrocities committed against humanity during World War II. In forming a
>co-operative, these men were bound by a common goal of telling the world’s
>stories with uncompromising responsibility to authorship. They sought to
>break free of editorial constraints and challenged the prevailing idea that
>a magazine or newspaper could “own their images.” Thus, the Magnum ethos,
>which still guides the agency and its photographers, sought editorial
>freedom and ownership of copyrights.
>
>This event is co-presented by Magnum Festival '07
>
>About Keith Beauchamp
>
>Keith Beauchamp has devoted the past eleven years pursuing justice for
>Emmett Till. On May 10th, 2004, the U.S. Department of Justice re-opened
>the
>nearly half-century old murder case citing Beauchamp’s documentary The
>Untold Story of Emmett Louis Till as both a major factor in their decision
>and the starting point for their investigation. Beauchamp has been featured
>on “60 Minutes”, ABC World News Tonight “Person of the Week,” Court TV,
>MSNBC, CNN, BBC as well as the New York Times, Washington Post, USA Today,
>and The Chicago Tribune. Beauchamp is producing a feature film with
>Frederick Zollo (Mississippi Burning) based on his eleven year journey in
>connection with the Emmett Till case.
>
>About Philip Jones Griffiths
>
>Philip Jones Griffiths became a member of Magnum in 1971. Born in Wales,
>Griffiths began photographing for the Manchester Guardian and the
>London-based Observer. He covered the Algerian War, Central Africa and
>Asia,
>photographing in Vietnam from 1966 to 1968. His book, Vietnam Inc., is one
>of the most detailed surveys of any conflict with commentaries which are
>both matter-of-fact and darkly ironic. In 1980, Griffiths assumed the
>presidency of Magnum, a post which he held for five years. Griffiths'
>photographs have appeared in most of the world's major magazines and his
>assignments have taken him to over 120 countries. He continues to work for
>Life and G&#233;o on stories such as Buddhism in Cambodia, droughts in India,
>poverty in Texas, the re-greening of Vietnam, and the legacy of the first
>Gulf war in Kuwait.
>
>About Susan Meiselas
>
>Susan Meiselas became a member of Magnum in 1980. She is best known for her
>coverage of the insurrection in Nicaragua and for her documentation of
>human
>rights issues in Latin America, which were published widely throughout the
>world. Meiselas has had solo exhibitions in Paris, Madrid, Amsterdam,
>London, Los Angeles, Chicago and New York and her work is included in major
>American and international collections. She has received awards including
>the Robert Capa Gold Medal for “outstanding courage and reporting” for her
>work in Nicaragua; the Maria Moors Cabot Prize from Columbia University for
>her coverage of Latin America; and, in 2005, the Cornell Capa Infinity
>Award. In 1992, she was named a MacArthur Fellow.
>
>About Gilles Peress
>
>Gilles Peress joined Magnum in 1972 and remains a contributer. In 1970,
>Peress took his first trip to Northern Ireland and began an ongoing project
>about the Irish civil rights struggle. Power in the Blood, a book that
>synthesizes his two decades of work in Northern Ireland, is part of a
>larger
>ongoing project called Hate Thy Brother. Farewell to Bosnia was the first
>part of this cycle, and The Silence, about the Rwandan genocide, was the
>second. Peress’ photographs have been published in The Sunday Times, Du,
>Afterimage, American Photographer, Aperture, Creative Camera, The New York
>Times Magazine, and Photo. He has been the recipient of the National
>Endowment for the Arts Fellowship, the Ernst Haas Award, the Fondation
>Nationale pour la Photographie and the Imogen Cunningham Award, and the
>Overseas Press Club Award. His work has been included in numerous group and
>solo exhibitions in the United States and abroad.
>
>About Larry Towell
>
>Larry Towell became a member of Magnum in 1993. A fascination with
>landlessness led him to the Mennonite migrant workers of Mexico, an
>eleven-year project completed in 2000. He has pursued similar, lengthy
>long-term reportage work in El Salvador, and Palestine. Towell’s awards are
>numerous, and with the help of the inaugural Henri Cartier-Bresson Award,
>he
>finished a second highly acclaimed book on the Palestinian-Israeli conflict
>in 2005, No Man's Land. Other books include The Mennonites, El Salvador,
>and
>In the Wake of Katrina. He has been published in major international
>magazines including The New York Times, Life, Stern, Geo, Elle, Esquire,
>Rolling Stone, Lib&#233;ration, and The Sunday Times.
>

Подробнее

Ниасилил...