Обработка в стиле Gregory Crewdson

Кто знает как Грегори Кюдсон обрабатывает свои фотографии?
Понятно, что там огромную роль играет постановка сцены, работа большого количества людей, но обработка все равно присутствует.

В одной из статей о нем читал, что бюджет одного кадра может составить или даже перевалить за 100 000 долларов

Изучайте. Там про обработку тоже местами есть. Но 95% работы - это съемка. http://www.youtube.com/results?search_query=Gregory+Crewdson

Спасибо!)

постановка света:



роспись постановки:

LIGHT #1
Source: Mole Richardson Tweenie (650-watt fresnel) tungsten source with full CTB gel plus 1/4 CTB gel, bounced into a white foamcore panel inside of the house next door (exterior house flat is visible through kitchen set window). Foamcore panel is visible in shot, as a bluish-white square in the bottom half of the window.
Purpose: To create low-level bluish cast in window of exterior house flat visible through kitchen set window

LIGHT #2
Source: LTM Pepper (200-watt fresnel) with full CTS gel
Purpose: Simulating table lamp/backlighting window

LIGHT #3
Source: LTM Pepper 200-watt fresnel with full CTS gel, backlighting window
Purpose: Simulating table lamp in window of house next door, visible through kitchen window

LIGHT #4
Source: Mole Richardson Tweenie (650-watt fresnel) tungsten source with full CTB gel plus 1/4 CTB gel, bounced into white foamcore panel inside of house next door (exterior house flat is visible through kitchen set window) Foamcore is visible in lower half of window.
Purpose: To create a bright source in the lower half of the window

LIGHT #5
Source: Mole Richardson Mighty (2K open-face focusable spot) tungsten source with full and 1/2 CTB gels, bouncing into a 4 x 4-foot sheet of bead board lying flat on floor
Purpose: Front fill for exterior of house next door (visible through kitchen window)

LIGHT #6
Source: Mole Richardson Tweenie (650-watt fresnel) tungsten source with 1/4 CTB gel
Purpose: To simulate exterior lighting fixtures raking the exterior of the house next door (visible through kitchen window)

LIGHT #7
Source: Mole Richardson Mighty (Open face focusing 2K) bouncing on a floor level 4 x 4-foot Bead Board. Full + Half CTB
Purpose: Front Fill for background (BG) House Flat

LIGHT #8
Source: Mole Richardson Mighty (Open face focusing 2K) bouncing on a floor level 4 x 4-foot Bead Board. Full + Half CTB
Purpose: Front Fill for background (BG) House Flat

LIGHT #9
Source: Mole Richardson Midget (200-watt fresnel) tungsten source with Lee #159 (No Color Straw) gel
Purpose: To simulate exterior lighting fixtures backlighting kitchen window

LIGHT #10
Source: Mole Richardson Midget (200-watt fresnel) tungsten source with Lee #159 gel (no-color straw)
Purpose: To simulate an exterior lighting fixture backlighting kitchen door window

LIGHT #11
Source: Mole Richardson 1K MolePAR MFL (medium flood lens) tungsten source with 1/4 CTB gel plus Lee #159 gel, bouncing into overhead 4 x 8-foot sheet of beadboard
Purpose: To create soft light motivated by hanging kitchen practical lamp

LIGHT # 12
Source: Mole Richardson 1K MolePAR MFL (medium flood lens) tungsten source with 1/4 CTB gel plus Lee #159 gel, bouncing into overhead 4 x 8-foot sheet of beadboard
Purpose: To create soft top light, motivated by hanging kitchen practical lamp

LIGHT #13
Source: Mole Richardson Baby (1K fresnel) tungsten source with 1/2 CTB gel plus Bastard Amber gel plus Lee # 250 (half white diffusion) gel
Purpose: To create light emanating from the laundry room on camera left side of kitchen

LIGHT #14
Source: 100-watt A19 bulb on dimmer
Purpose: To create light emanating from practical (hanging light) in kitchen

LIGHT #15
Source: Mole Richardson 9-Lite MaxiBrute (9 MFL PAR lamps) with 1/4 CTG gel plus Lee #159 gel, hung above kitchen and bounced into a rigged 4 x 8-foot sheet of beadboard rigged about 12 feet off the floor in area just camera right of kitchen hanging practical
Purpose: To create top soft light motivated by hanging kitchen practical

LIGHT #16
Source: Mole Richardson Baby (10K fresnel) with 1/2 CTB gel plus Lee #159 gel
Purpose: To illuminate wooden buffet to camera right of boy

LIGHT #17
Source: Six Mole Richardson 1K Nook Lights with 1/2 CTB gel plus Lee #159 gel in 6 x 8-foot softbox crafted out of black-on-black foamcore with 1000H diffusion, suspended 12 feet above set floor and angled down at kitchen
Purpose: To simulate soft top-light motivated by hanging practical (chandelier)

LIGHT #18
Source: Source Four 26-degree, 750-watt ellipsoidal tungsten source with 1/4 CTB gel plus Lee #159 gel
Purpose: Set highlights and slashes on or around china cabinet on camera left

LIGHT #19
Source: Source Four 26-degree, 750-watt ellipsoidal tungsten source with 1/4 CTB gel plus Lee #159 gel
Purpose: Set highlights and slashes on or around china cabinet on camera left LIGHT #20
Source: Source Four 26-degree, 750-watt ellipsoidal tungsten source with 1/4 CTB gel plus Lee #159 gel
Purpose: Set highlights and slashes on or around china cabinet on camera left

LIGHT #21
Source: Source Four 26-degree, 750-watt ellipsoidal tungsten source with 1/4 CTB gel plus Lee #159 gel
Purpose: Set highlights and slashes on or around china cabinet on camera left

LIGHT #22
Source: Five 60-watt frosted flame-tip candelabra lamps on dimmer
Purpose: Bulbs for dining room practical (chandelier in shot)

LIGHT #23
Source: Six #2 blue photofloods (500-watt A bulbs) with 3/4 CTB gel and Lee #159 gel in softbox, suspended 10 feet above set with four 1/4-inch hemp tie-lines (just above the top of the frame), angled down at a 60-degree angle
Purpose: Top front soft light source motivated by hanging practical (chandelier)

LIGHT #24
Source: Mole Richardson Baby 1K fresnel tungsten source with 3/4 CTB gel bounced into a 2 x 2-foot Rosco Cinegel Roscoflex SS (supersoft) silver Mylar® reflector, with single layer of Lee 1/16 Hampshire Frost diffusion attached to reflector to graduate rapid light fall-off from Mylar® material
Purpose: Directional bounce fill on chairs around dining room table on camera left

LIGHT #25
Source: Source Four 19-degree, 750-watt ellipsoidal tungsten source with 1/2 CTB gel plus Lee #159 gel
Purpose: Highlighting roast beef

LIGHT #26
Source: Mole Richardson Baby 1K fresnel with 3/4 CTB gel bounced into a 2 x 2-foot Rosco Cinegel Roscoflex SS (supersoft) silver Mylar® reflector
Purpose: Directional fill on boy, from camera right

LIGHT #27
Source: Source Four 19-degree, 750-watt ellipsoidal with 3/4 CTB gel
Purpose: Frame left foreground portal fill

LIGHT #28
Source: Source Four 50-degree, 750-watt ellipsoidal with full CTB gel
Purpose: Frame left foreground portal fill

LIGHT #29
Source: Source Four 50-degree, 750-watt ellipsoidal with 3/4 CTB gel
Purpose: Frame left vertical slash of light used as a framing streak for composition

LIGHT #30
Source: Source Four 36-degree, 750-watt ellipsoidal with full CTB gel
Purpose: Frame left vertical slash of light used to highlight the portal molding

LIGHT #31
Source: Source Four 36-degree, 750-watt ellipsoidal with 1/4 CTB gel
Purpose: Frame right foreground portal vertical slash

LIGHT #32
Source: Mole Richardson Baby 10K (10,000-watt fresnel) with 3/4 CTB gel and medium quartz Chimera Plus softbox with 1/4 grid cloth diffusion panel and 40-degree “egg-crate” soft fabric grid
Purpose: Wrapping fill light for mother and controlled fill on foreground portal

посмотрел его работы которые распечатаны на больших полотнах и возник вопрос на что он снимает? на хасель или среднеформатные аналоги? или на пленку он снимает ?

Какой-то Hasselblad Sinar 8x10.

Цитата:

от: Дмитрий ( FM )
посмотрел его работы которые распечатаны на больших полотнах и возник вопрос на что он снимает? на хасель или среднеформатные аналоги? или на пленку он снимает ?

Пленка. Большой формат. 8х10 дюймов. Sinar F.